Publishing
Length Matters: A Word Count Guide by Genre
How long does your future publisher want your novel to be? Editor Dana Isaacson discusses desirable word counts for different genres.
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Can No-Advance eBook Contracts Be a Good Deal?
No-advance publishing contracts are now commonplace among eBook authors, but is profit sharing good for a career author?
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What Is an Author’s Salary?
Author “salary” and author contracts are shrouded in secrecy, so it’s near impossible to find hard data. As a data set of one, I’m prepared to break taboos and talk specifics about how much money I make to help other authors have a clearer vision of the career’s potential financial rewards (or lack thereof).
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A Professor Bloodthirsty for Success: How I Became a True Crime Writer
When academic Harold Schechter searched for commercial literary success, he looked no further than the latest bloody tabloid headlines.
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What type of editor do you need?
Different types of book editors perform distinct tasks. Dana Isaacson explains the nuts and bolts of the editing process.
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How to Write a Book Proposal (and why you should read this whether you’re writing one or not)
Sooner or later, you may face the challenge of how to write a book proposal. If you’re writing nonfiction or memoir, it’s obligatory. But even if you are not, you should know what’s included.
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Numbers that Matter in Book Publishing
What numbers add up to success for career authors? Editor Dana Isaacson discusses figures good and bad.
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Writing to the Market. Or Not.
Conventional wisdom has it that there’s no point to writing to the market, because it’s a tough, moving-target market—but there are ways around that. Here’s how to write to the market the smart way.
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Secrets to Going Indie, Part 2: Steps
In Part 1 of “Going Indie” I said I liked being the captain of my ship. Well, mateys, being a captain of an indie book require a lot more than writing and editing your manuscript.
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Revealed: The Pleasures and Perils of Publishing Lunches
Grab a seat across from editor Dana Isaacson and hear what actually happens during publishing lunches, a literary tradition beloved by both editors and career authors.
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Secrets to Going Indie, Part 1: Tools
To go Indie, writers need a bunch of different tools in their tool belts, especially if they don’t have lots of dollars. The good news: the writing’s the same. The bad news: not much else is.
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Five Book Contract Terms Authors Should Know
Baffling legalese may be standard in today’s book contracts, but editor Dana Isaacson offers an intro to key terms.
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