Craft

Writing is easy. All you have to do is cross out the wrong words.

Mark Twain

Editors on Omniscient POV: Whose Story is This?

by Dana Isaacson | Nov 26, 2018 | Craft

Should career authors use an Omniscient POV? Top freelance editors discuss the pros, cons, and unique challenges of this surprisingly tricky approach.

8 Ways to Make Your Characters Sound Distinctive

by Laura DiSilverio | Nov 19, 2018 | Craft

Creating a character who leaps off the page, someone readers will remember long after they finish the book, is a writer’s Holy Grail. Here are 8 tips to help you get started crafting distinctive dialogue.

What Should Be in a Book’s Act Two?

by Hank Phillippi Ryan | Nov 12, 2018 | Craft

Act Two is the meat of the book sandwich. More than half the book will be in this act, with a big reversal in the middle, rising and falling roller coaster action and complications, and ending with a big climax or decision or turning point. Here’s how to do that.

How to Start a Novel: A Checklist

by Laura DiSilverio | Nov 9, 2018 | Craft

Getting the beginning of your novel right is key to landing an agent, signing a contract, and racking up sales. Here’s a checklist to help you craft powerful first lines and great opening paragraphs.

How to Balance Character and Action

by Our Special Guest | Oct 26, 2018 | Craft

How can writers effectively balance characterization and action in a way that captivates readers and keeps them engrossed into the wee hours of the night? This NYT Bestselling author shares her secrets.

What Should Be in Act One?

by Hank Phillippi Ryan | Oct 22, 2018 | Craft

A 3-act structure is how readers understand stories. Using that simple-but-complicated template is critical to harnessing the rhythm and music of a story, and the expectations of your readers. Here’s a guide to Act One.